Avoid sending your script to any and all producers, first and foremost. You should constantly look into anyone you think might be a producer because anyone could make that claim. The only way I’ve found to get a producer to read your script is to call a production company and ask if they are looking for new screenplays.

If you’ve had a short or feature-length film previously made, you’ll be aware of what a producer anticipates. Make sure your script is as good as it can be before placing it in the envelope. A producer has a myriad of other responsibilities. Using a literary agency is a different choice to think about. Many producers won’t take a script into consideration unless it has the backing of an agent. This is not a recommendation that you make up your own fictitious agent. That’s undoubtedly one way to be avoided! Your script can be moved from the slush pile to the producer’s desk by a capable agency.

Networking with producers might happen while attending film festivals. You should be respectful and cautious when approaching a film’s producer if you like it and they are there. Always have a business card, and practice your pitch if you get the chance to present your work.

Attend Film Festivals

Because you never know when you might run across an up-and-coming producer, even the tiniest film festivals are worthwhile to attend. Include the date and location of your meeting in the cover letter if the producer loves your pitch and asks for the script. Their memories will be revived by this. It is quite rare to be able to speak with the top producer directly unless you know someone who knows someone. or if your closest friend happens to be a well-known actress.

Before you get a response from a producer, it could take up to four or six months. Be tolerant. Although it is challenging to wait for a reply, you should be writing your next script during this time. You should let another producer know that “so-and-so” is also reading the script if they want to read it concurrently. Maybe write the original producer a note to let them know that another producer has asked for a copy of your script. Some people advise against sending your script to several companies at once, which is difficult because it would lower your chances of being produced.

I have always asked my “first” producer if this is okay before submitting to a second producer. It’s okay if they refuse, but communication is what counts. As a producer, no one wants to be kept in the dark. On occasion, two producers who are acquainted may talk about a “great” script they have received only to learn that it is the same script!

Format Your Script Properly

Make sure your script is properly formatted, with no colored paper or ribbons. When a script is finished, it is exciting, and you want to send it out right away. But keep in mind that the movie business is a serious one. As a writer, you are in business for yourself, thus you should always check your writing thoroughly before submitting it. You must take your ideas seriously and show your commitment to your cause because the producer simply thinks about getting money. It is, of course, a creative activity as well.

We have all seen the results of a well-written story, but you must learn to control your enthusiasm when speaking with a producer. I don’t advise being so dejected or distant that people avoid you. However, if you are gushing and spitting on him/her because you are unable to restrain yourself in this prime situation, you will be turned down. Producers are able to do this in an instant because they have mastered the art of reading people and identifying when someone is speaking inappropriately.

Several factors to consider before speaking with a producer directly include:

  • Know your own narrative better than you know it
  • Share your thoughts on the recent movie or movies they created that you liked
  • Ask if they are looking for new scripts. If they are, maintain your composure
  • Present your script in a clear and effective way
  • Get your business card ready
  • Make sure your writing is of the greatest caliber possible
  • Be ecstatic and committed to what you can provide and to your skills

After the initial rejection, don’t give up; with time and practice, you’ll get better. Each new event will teach you a lot more about the business as well. Contact us now to learn more about our acting programs in Los Angeles.